Marvin gay lets get it

During this time, he had also been attempting to cope with past issues that had stemmed from his childhood. From Wikipedia, the free encyclopedia. The contract provided him with more creative control over his recordings. It furthered funk music's popularity during the s, and its smooth soul sound marked a change for his record label's previous success with the " Motown Sound " formula. Hunter would become Gaye's live-in lover by Marvin Gaye, Ed Townsend.

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Let's Get It On (tradução)


In those songs of loss and lament—the sense of separation is heartbreaking. Because of the album and its singles' initial sales and response, Let's Get It On marked a change and transition in sound and production for Motown, which had previously enjoyed success with its trademark " Motown Sound ". Gaye and Hunter were said to be smitten with each other and, within months, Gaye and Hunter began dating. Two of the album's singles reached the top 40 of the Billboard Hot , including "Let's Get It On", which became Gaye's second number-one US single, and the top hit "Come Get to This", which peaked at number 23 on the chart. The album has been regarded by many music writers and critics as a landmark recording in soul music. Elliot [in his liner notes, that life amounts to "Birth, copulation and death"], and the young lady moaning [on the album], we hadn't heard that before.

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In , the song was ranked number on Rolling Stone magazine's list of the Greatest Songs of All Time ; [10] in a revised list, the song was ranked at number By using this site, you agree to the Terms of Use and Privacy Policy. In the spring of , Marvin Gaye was suffering from writer's block. Elliot [in his liner notes, that life amounts to "Birth, copulation and death"], and the young lady moaning [on the album], we hadn't heard that before. When originally conceived by Townsend, who was released from a rehab facility for alcoholism , it was written with a religious theme. Much like What's Going On , Let's Get It On has been included in a significant number of "best album" lists by critics and publications. A bluegrass version of the song was later recorded by Shannon Lawson on his album Chase the Sun.

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